until 16.11. | #4418ARTatBerlin | Konrad Fischer Galerie shows from 16. November 2024 the exhibition Animal Methods by the artist Edith Dekyndt. Opening: Friday, 13. September 2024, 6 – 10 pm Exhibition period: Friday, 13. September – Saturday, 16. November 2024 Image caption : Edith Dekyndt, Animal Methods, Courtesy the artist and Konrad Fischer […]
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until 29.07. | #3878ARTatBerlin | Konrad Fischer Galerie presents on 28. April 2023 the exhibition Wilde Leute of the artist Paloma Varga Weisz. The exhibition presents brand new sculptural works in bronze and wood, as well as a selection of watercolor drawings on paper. The Wild People are inspired by the medieval description of the […]
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until 27.08. | #3414ARTatBerlin | Konrad Fischer Galerie presents from 29. April 2022 the exhibition Practice by the artist Bruce Nauman. The gallery presents a new video installation of Bruce Nauman entitled Practice. Since Six Sound Problems for Konrad Fischer, the artist’s first solo exhibition in Europe at Konrad Fischer in 1968, Konrad Fischer Galerie […]
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until 21.04. | #1912ARTatBerlin | Konrad Fischer Galerie currently shows the exhibition “Gas Tank” by the photographers Bernd & Hilla Becher. Bernd and Hilla Becher already began taking photographs of mining and steel plants in the early 1960s, capturing images of machinery and functional architecture that was often on the verge of disappearing. Pursuing an […]
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until 05.08. | #1441ARTatBerlin | Die Konrad Fischer Galerie Berlin presents from 24th June 2017 a new solo exhibition by the artist Cristina Iglesias. The gallery just provided a German exhibition description by now. For details please change to the german version of ART@Berlin. It is really easy: Just press the language button in the upper right […]
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until 17.06. | #1246ARTatBerlin | Konrad Fischer Galerie shows from 28th April 2017 the exhibition “They Shoot Horses (Part Two)” by the belgian artist Edith Dekyndt . The title of the exhibition refers to the novel They Shoot Horses, Don’t They? by Horace McCoy, written in 1935 and reaching wider fame with Sydney Pollack’s 1968 film of the […]
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